The environment surrounding the Mesopotamian man has had a great impact on his life, and he has a deep sense of discourse in the Islamic thought, which is embodied in the form of important cultural discoveries recorded in the history of humanity. In the middle of the third millennium BC, Milk to receive knowledge, and to stop the first teacher in the history of knowledge, to give a lecture in the philosophy of existence, it is symbolic reporting, framing what is lost, eternal framework eternal, as a reflection of mind and thinking a kind of re-shaping nature in essence and essence, analyzing the elements of the visual image, Phrase expression My self-philosophizing and self-projection on nature and man.
The intellectual character was reflected through the actions of man. The thought was symbolic because it reconstructs its structure in forms, and it is attractive because it praises these forms by means of the signs, and constructively presents itself as systems of cognitive forms, intuitive, free of sensory limitations.
Mesopotamian thought, creative, which establishes its first systems in the history of humanity, received the letter of the environment by virtue, which is a psychological pressure, incentives and stimuli, and it leads to a system in its structure, which is a formative interviews, intensive in symbolic forms or indications of information. These intellectual mechanisms, based on experimentation, have contributed effectively to the integration of intellectual experience and have begun to act as dominant engines in the structuring of civilizational thought in its general contexts.
He faced the construction of Rafidain thought, the cosmic world. It is separate to two worlds. The world of the empty earthly image, and the world of ideals that is full of powerful forces controlling phenomena. Which gave Rafidian psychology, a kind of metaphysical anxiety. Who gained the image of the invisible, an active presence in the construction of thought, at the expense of low human presence. This has enabled the classification of phenomena and the recognition of the relations between them, making each power a symbol, and in this way turned the phenomena to symbols and concepts is an intensification of ideas in the speech formation. This is the rational interpretation, in the direction of creating a balance between the inner sense (the passive self) and the external experience world (reading assets), where the task of formation is the perception of this budget. The link of visible physical similarity has been replaced by an invisible spiritual connection that is the link of the symbol. Where the rise above the phenomenal natural phenomena, and a kind of overlap between physical and spiritual and natural and symbolic.
In the absence of the simulation of the complexities of nature, the thought of its collective structure found that it could turn the outside world into the inner world. It is the qualities of great art, to carry within it the tension and contradiction, it is not issued from the suffering of reality, but must have the process of installation, it must acquire an objective form. Reflection mythology, which is the essence of the image system on Mesopotamia, is a kind of intuitive way of perception, not just a free expression of mind that ignores reality, it transcends experience, trying to interpret, organize and unify. It is based on reconstructing the world in its inner state of secrecy, so that the nature of things is no longer indicative, except insofar as it transforms to reflect a human condition.
The form of writing and the formation of Mesopotamia, moving in a cultural circle of symbol, there is content and purpose and meaning, and on the other side expression and demonstration and reality, and between these two appearances overlap and overlap. So that the outer or special, does not have a justification of existence, only to be an expression of the interior. The nature of thinking, which was specific, tends to represent the forms in its faculties, in its general forms that suggest in a coherent sense. Here we can reach a kind of conscious symbolism in the application of manifestations of forms towards the collective consciousness of consciousness. It is art free from nature, in the construction of its pure essential forms. This is the historical verification of the world of ideals by the awareness of the spiritual beauty of the Infinite achieved by the letter of formation towards the Absolute. Is the philosophy of life and whole thought on Mesopotamia..
The Mesopotamian civilization in the middle of the fourth millennium BC, a unique leap of knowledge, established and founded the first civilized society in history, the foundation of its history through the activity of the movement of transformed ideas in an accelerated manner full of innovations and creations. In the city of Warka, the capital of the hero of Kalgamesh, the invention of writing came to teach humanity the character. It is the first activation of human thought. Drilling on clay is the first creation, the same as the fossils and even the deepest areas of the soul. The line works in the visual area outside the area of the in-kind configurations, as an intuitive interpretation of the visuals. The biblical relationship resembles itself in natural intent, but outside its real presence, it is a summary of the signs it represents. It is the vocabulary that forms the special part of the idea, which encodes the semantic significance behind it in its implications in the structure of social thought. Hence, its greatness gained throughout history and seemed to be immortal.